For Berlioz’s Symphonie fantastique , Brahms’ Symphony No. 1 , and Shostakovich’s Symphony No. 5 . what were their specific musical priorities?

For Berlioz's Symphonie fantastique, Brahms' Symphony No. 1, and Shostakovich's Symphony No. 5. what were their specific melodious priorities? How did these melodious choices mirror the cultural state in which the composers lived and worked?

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